We will then set up our desired colour grading in the Looks Builder and, once we’re happy with the final look, cut and paste the effect back onto the adjustment layer. I hope the guys over at Red Giant do add that functionality at some point because it would make life a lot easier.įor now we can get around this problem by going back to our timeline and applying the Magic Bullet Looks effect to one of our base footage clips instead. This is happening because we have applied Magic Bullet Looks to an adjustment layer and the plugin only displays the contents of the current layer – which, for an adjustment layer itself, is nothing. Note that our preview window (1) is currently empty. Under this tab you will find a large library of preset looks that you can quickly apply and tweak. Hidden beneath this tab you will find all of the effects that are available to you to modify your footage. These help you make accurate adjustments. A variety of tools for visualising the colour information in your footage. Any effects applied to your clip will be listed here. Magic Bullet Frames allows you to take interlaced video and get the 24p look of film, right from within your editor at high speed and high quality. The plug-in is available for After Effects, Final Cut Pro,k Premiere Pro and Motion. With powerful real-time color grading tools, video denoising, and cosmetic retouching, you’ll have everything you need to make your footage look great, right on your editing timeline.

Your final video with any colour adjustment effects will be displayed here. This software tutorial shows you how to use Magic Bullet Frames plug-in. Magic Bullet is a set of plugins for color correction, finishing and film looks.

Magic bullet looks final cut pro x